BIO / Artist Statement
The Ghost in Machine Series refers to a philosophical concept that critiques the dualistic idea of the mind and body as separate entities. The phrase was coined by British philosopher Gilbert Ryle in his book The Concept of Mind, as a way to criticize Rene Descartes' mind body dualism, which suggests that the mind (a non-physical substance) and the body (a physical substance) and the body (a physical substance) interact but remain fundamentally distinct.
Much of my work explores the dichotomy of synthetic and natural forms through the practice of drawing and collage. My process begins with constructing transparent layers of various combinations of acrylic paint, and mediums on drafting film and Yupo paper. This is then configured through collaging and realigning these motifs to create a unique hybrid of abstraction and figuration.
The transparent slick surfaces refer to the superficial glow of pixelated screens and digital technologies. The result is often mediated as it is spontaneous, presenting a duality through the guise technological determinism and the unpredictability of abstract biomorphic shapes and gestures.
https://aatonau.com/david-dandrade-constructing-the-fluid-edge-of-form/
Much of my work explores the dichotomy of synthetic and natural forms through the practice of drawing and collage. My process begins with constructing transparent layers of various combinations of acrylic paint, and mediums on drafting film and Yupo paper. This is then configured through collaging and realigning these motifs to create a unique hybrid of abstraction and figuration.
The transparent slick surfaces refer to the superficial glow of pixelated screens and digital technologies. The result is often mediated as it is spontaneous, presenting a duality through the guise technological determinism and the unpredictability of abstract biomorphic shapes and gestures.
https://aatonau.com/david-dandrade-constructing-the-fluid-edge-of-form/